Tip-toe thru’ (and around) Tulip

Twenty years ago today, Georgia and I were on vacation in San Francisco, and decided to play as a duo at the Bottom of the Hill.  The lineup also included the Softies and American Music Club, and it was packed.  Looking over the setlist, I’m shocked by how many songs we did, and Georgia–who was just singing–had nothing to do with her hands except drink.  So as we prepared to play an encore, she was distracted by other concerns.  I suggested that she see to them, and I could take the much-voiced request for “Speeding Motorcycle,” there being nothing for Georgia to do on that one in this format.  It seemed like she was gone for a long time, but then again there were lots of people there, and no backstage bathroom.  When at last she returned, she looked shaken, and quickly told me she’d tell me all about it later.  We did a couple more songs to finish, and then I heard her story.  On her way to the bathroom, Georgia had been approached by her mother’s estranged older sister, Tulip, who she had never met.  I didn’t need a description–as crowded as the room was, the out-of-place older woman toward the rear with the neon orange dyed hair was unmistakeable.  While Tulip tried to apologize or explain or rationalize all the rotten things she did to Georgia’s mom, Georgia was concentrating more on extricating herself than listening.  Finally successfully pleading her need to get to the bathroom and return to the stage, she got away and was navigating the crowd without any difficulty.  But that’s not how Tulip saw it.  Admittedly, her experience with rock clubs was probably limited, but she identified a situation that called for assistance, so at the top of her lungs hollered, “LET THE STAR THROUGH.”

 

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Yo La Tengo just want to have fun

Our first official act as official Matador recording artists is to perform at the label showcase, 21 years ago today, at Irving Plaza during the New Music Seminar.  We have a warmup show the night before in Philadelphia, where we try out our Irving Plaza set, plus some covers.  I guess it goes ok–at least we don’t get dropped.  Two years later, we headline a dream bill outdoors in Union Square Park, going on after Antietam and Cyndi Lauper.  We don’t get to jam with Cyndi, but Tara Key joins us on the final encore of “Speeding Motorcycle.”  What has been a beautiful day turns ominous; while we play we can see storm clouds rolling in quickly from the south.  Seconds after we finish, the sky opens up and torrential rain sends everyone scurrying.

 

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Delivery men (and woman)

Lest you think Megan from Denver doesn’t love all her children equally, I’m the one who decided to assign the email she sent us back in January to July 22.   YLT’s music has been involved in a few very big moments in my life.  I remember working at a coffee shop in 2000 and hearing a YLT song chosen by a coworker, and was hooked ever since.

 I was married August 23, 2008 in Colorado and Our Way to Fall was our first song.

Fast forward a few years and I’m in the delivery room of a hospital in Denver on October 3rd, 2010.  I had a playlist of my favorite songs rotating and clearly remember I Heard You Looking playing as the doctor held my first child up for me to see for the first time.  What a moment!

I had a second child July 22, 2013 and out of superstition I tried to be sure YLT was playing as she was born  (my first baby was so easy!) but I’m not sure what song was playing.

We were out for the Bell House show a few weeks ago, flying from CO as my 30th birthday present.

Our family purchased a record player for Christmas 2011 and now my daughter dances around the living room to her new favorite record, saying “Mommy, play the tree one!” when I’m flipping through our vinyl.

Thanks for all the great memories, you have been a part of some really great times for both me and my family!

 

delivery_man                                                      Emily Hubley – Delivery Man (1982)

Pastelism

Dateline 1997.  We are in the midst of a four-city German tour with the Pastels, and I believe–while simultaneously finding it hard to believe, such is memory–that we have not shared a bill with the Pastels since.  (Though we came close last year.)  Tonight’s show is in Berlin and Katrina Mitchell adds some extra clatter to “False Alarm” and plays guitar on “Cast a Shadow.”  Sentimental Berlin favorites “Nowhere Near” and “Sh-Boom” open and close the encores.  Here’s a poster for the Pastels’ Hamburg show without us that I found posted here (a lovely personal appreciation of the band marred only by confusing the song “Love Power” with “Prisoners of Love.”)

 

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Festival!

It’s our last Lollapalooza date, 19 years ago today, in Detroit.  We invite our side-stage buddies, the Coctails, to help us say goodbye, sitting in on four songs.  Last year, we dropped in on the United Kingdom for just as much time as it took us to lose a passport, play the Latitude festival, catch the end of Richard Thompson’s set, and find the passport.  (Faster than you might think.)

 

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