I’m with the banned

After Dave Schramm quit the band at the end of August, 1986, we did one show as a trio and a wedding with Christmas’s Michael Cudahy on guitar.  At a benefit at Maxwell’s in late September, we invited our original bassist Dave Rick to take a night off from his group, Phantom Tollbooth, and play lead guitar.  All parties had a good time, so we set up an encore on this date 28 years ago at CBGB, putting together a bill with Dredd Foole & the Din and Mofungo.  When CBGB added one or two more acts to the lineup, there was grumbling and even the suggestion of bailing on the date altogether, and in turn CBGB promised that any band that cancelled would never play the club again.  So we were in quite the pickle when the phone rang at 6 a.m. on the day of the show and it was our bassist, Stephan, calling us from Europe to tell us that he had missed his flight back to New York.  Obviously we had to play, but how?  Dave had done many shows with us on bass and could’ve done so once more, I suppose, but he was unavailable before soundcheck, and I doubt I was nimble enough on short notice to handle all the guitar playing.  Then the light bulb went off: Not only were we friends with an excellent bassist, but there was a strong possibility that he’d be awake at 7 a.m.  And sure enough, Chris Stamey was willing to step in.  Of course, he too was not free to rehearse.  Locked into the 11 songs we’d practiced earlier in the week with Dave, my lasting image of the night is Chris walking around CBGB with a bass and headphones, studying until the moment we went on.  I doubt we were great, but having managed not to be banned, we continued to perform at CBGB most every year through 1993.

Our opening song that night opens another event, 23 years later.   Ailene writes: My husband Matt and I danced to “Did I Tell You” as the 1st dance at our wedding 10/17/2009.  We live in Hoboken, NJ.

 

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Cannot recall how this came about at all, but our show at Portland’s Crystal Ballroom on this date eight years ago included a cellist.  Amy Mitchell must have written to us offering her services, but I can find no evidence, cyber or otherwise.  In any case, by the time the night was over, she’d played six songs with us, including the one and only live performance of the Roy Wood-inspired part on “Watch Out for Me, Ronnie”  and 2006’s lone rendition of “Attack on Love.”  So I guess we thought it went well–wish I remembered it!

 

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Spanning the world

It took almost the entire year, but I believe this post will feature our first emoji!  (Unless, of course–and this is very fucking possible–it’s not actually an emoji, and I’ve just committed some hopelessly out-of-touch Internet Is A Series Of Tubes-like faux pas.)

 
Night two of our muy bueno visit to Buenos Aires and Santiago is there: I can tell that in October the 15th of 2010 YLT played in Buenos Aires, Argentina and that day my former girlfriend moved in with me after a rough period of long distance relationship.   It’s funny because today I’ve been thinking a lot about her and now I run into this 😀  That was a hell of a night, full of love, hope and music.  A pity it didn’t work out.  But that’s another story. . . .

Two years earlier, it’s another two-night run, this time in Taipei.  We play “Batman” for the recently deceased Neal Hefti.  And in 1987, we make a rare Hoboken appearance at someplace that’s not Maxwell’s, at a benefit for local fire victims.  Speed the Plough/Trypes/Yung Wu’s John Baumgartner sits in on organ and accordion for our short set.  Tune in next time . . . if there is a next time.

 

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Love is in the (Buenos) Aires

Our second tour of South America was a mixed bag.  Stops in Chile and Brazil–the highlights of our 2001 trip–were completely dissatisfying festivals.  But fortunately we were not lied to in song: The best was yet to come, specifically two shows in Buenos Aires, the first one four years ago today.  There’s a little awkwardness when we arrive and find La Trastienda wallpapered in sponsorship.  Eventually, we compromise by agreeing to whatever they want to do so long as it’s off the stage.  The audience soon turns that into a hazy memory (truly: I’m thinking the sponsor was Coca-Cola, but can’t be sure).  During the quiet part of the set, we take a request and perform an impromptu two-acoustic-guitars version of “Deeper Into Movies”; the crowd is not as persuasive when they start ba-ba-ba-ing for “You Can Have It All” during the encore (except for those who came back the next night when we played it).  Perhaps best of all, our second show is on the eve of the day of respect for cultural diversity.  Our evening flight home allows us time to have a fantastic lunch and then take advantage of a parade route that is mere blocks from our hotel, marveling as indigenous Argentinians march by in eye-popping regalia.

 

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Extra Painful

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On December 2nd, Yo La Tengo will release Extra Painful, a deluxe 2XLP/2XCD reissue of their classic 1993 Painful LP with a whopping 12 bonus tracks (plus many more via download coupon), in celebration of their 30th anniversary as a band.

Pre-orders via the Matador store that correctly answer a trivia question will be eligible to win tickets to the Town Hall shows and a copy of every in-print YLT vinyl album.

Formats:
1. DoubleLP + 7″ + download coupon with extra tracks
2. Double CD + download coupon with extra tracks
3. Digital release is regular and bonus disc tracks (does NOT include download coupon bonus tracks)

Vinyl:
Disc 1: The original Painful album (not remastered)
Disc 2: Extra Painful – the bonus tracks
7″: “Shaker” / “For Shame Of Doing Wrong” – exact reproduction of original single
Download coupon: all the album tracks + 15 extra bonus tracks
Packaging: Double LP + 7″ (in picture sleeve) with ephemera, photos, reproduction of original ‘band-aid’ sticker, the first ‘YLT Gazette’ in 14 years, liner notes by Gerard Cosloy and the band

CD:
Disc 1: As on vinyl
Disc 2: As on vinyl
Download coupon: includes the 2 tracks from the “Shaker” 7″ as well as the 15 extra bonus tracks
Packaging includes a booklet with all the artwork in the vinyl package

Track listings:

Painful:

1. Big Day Coming
2. From A Motel 6
3. Double Dare
4. Superstar-Watcher
5. Nowhere Near
6. Sudden Organ
7. A Worrying Thing
8. I Was A Fool Beside You For Too Long
9. The Whole Of The Law
10. Big Day Coming
11. I Heard You Looking

Extra Painful:

1. Nowhere Near (demo)
2. From A Motel 6 (live acoustic)
3. Tunnel Vision (unreleased instrumental demo)
4. Sudden Organ (demo)
5. Smart Window (unreleased Painful session)
6. Big Day Coming (live acoustic)
7. Slow Learner (unreleased demo)
8. Double Dare (demo)
9. A Worrying Thing (demo)
10. I Heard You Looking (live)

Shaker 7″:

A: Shaker
B: For Shame Of Doing Wrong [8-Track Version – the CD single contained a different version which is on the download coupon]

Goin’ on a holiday

Nineteen years ago today, as Yo La Tengo and Run On make our way west across the U.S., Rick Brown and Sue Garner celebrate their sixth wedding anniversary–which if memory serves is traditionally the fabric softener anniversary–at Sudsy Malone’s in Cincinnati.   (Coincidentally, we’d be playing in nearby Newport, Kentucky on Georgia and my anniversary just a few years later.)  Across the street from Sudsy’s was Bogart’s, where we played with Superchunk in 1993, which I mention because that’s the lineup at the El Rey in Los Angeles in 1998, at a party to launch Mr. Show’s fourth season.  The two bands merge, as it were, for Peter Frampton’s “Show Me the Way,” the chorus rewritten as “I want you Mr. Show me the way/ Bob and Dave/ I want you . . . now on Monday.”  There would be no fifth season, so the sound mix must’ve been subpar.  (The day before we recorded the theme from The Simpsons, as heard in the closing credits of “D’oh-in’ in the Wind”–during the session Dan Castellaneta very graciously phoned one of my brothers as Homer to wish him a happy birthday.)

 

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