The girl from Maringa

Thirteen years ago, we were on tour in Brazil.  Departing Rio early in the morning, two flights and a longish drive later we arrived at the Aqualung in Maringa.  As we were unpacking our equipment, a significant problem with the way the p.a. had been wired was detected.  The local crew suggested that we soundcheck, and then they’d deal with it.  We counterproposed that the wiring get fixed first, and then we’d soundcheck.   One thing led to another and soundcheck ended at midnight.  The opening band, set up on another stage, went on immediately; our set began, let’s say, around 1 a.m.  It was fantastic.  People had traveled from all over the country to attend the show, and were going nuts.  One woman had some important message that needed to be delivered personally to us on stage while we were playing, which didn’t strike Pete Phillips, wearing the hats of both guitar tech and last line of resistance before reaching the stage, as a particularly good idea.  He told her no, to which she replied, “You’re old.”  Somehow even that didn’t sway him.  It couldn’t have been any earlier than 3 a.m. on a hot summer night when we finished.  I lay down in the dressing room, and despite the roar of the postshow disco, fell sound asleep.  When awakened, I was shivering uncontrollably, sick as a dog.  I didn’t eat solid food for a week.

 

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Better than Ace Frehley

I don’t want to think too hard about the fact that the best post-show compliment we ever received came from someone who probably was not in attendance.   It was 26 years ago today.  As you may recall, Georgia, me, Stephan and Phil Morrison are making our way west.  Having survived a freak ice storm in Dallas, we find ourselves at the improbably perfectly named Fat Chance in Albuquerque.  Faced with intra-group and band-on-soundman turmoil, for the first and last time, we switch gears midset and play uninterrupted feedback.  It gets mixed reviews.  On the one hand, Stephan discovers he has the ability to play bass while simultaneously warding off people trying to unplug us.  On the other, after we’re done and I’m outside trying to breathe, a stranger interrupts the guy screaming at me to counter, “That was the best show I’ve ever seen,” (though we’re pretty sure he didn’t see it).  “You are as good as the Eagles.  You are better than Ace Frehley.”  We would later fondly look back on this date by characterizing the live version of “The Evil That Men Do” on President Yo La Tengo as “Pablo’s Version,” named after the angry fellow outside the Fat Chance.

 

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You say it’s your birthday

A touch of controversy today, which starts innocuously enough with an email from Hayley: February 9, 2013 — saw you at the Michigan Theater in Ann Arbor. It was my 31st birthday and my 10-year-old stepdaughter’s first concert. We met Ira at the merch table. I was giddy, my stepdaughter was at a loss for words.

OK, we’re not here to tell Hayley or anyone else when her birthday is or isn’t, but we can say with certainty that we were not in Ann Arbor on February 9.  It was the 8th.  A long show — two sets, two encores (and a total of three Kinks covers)—even so, probably wrapped up before midnight.   Three years earlier — fresh off a long, International Date Line-crossing flight, so who knows, maybe I’m the one confused about this one — we performed in Auckland.  The thermometer that could determine the temperature inside has yet to be invented (maybe that’s why the bass amp went out twice during “Here to Fall”) and we had a great time.  Robert Scott opened, and sang “Secret Place” with us during the encore.  Yeah yeah yeah!

 

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I’m on my way

Five years ago today, Roger Moutenot parked himself on a broken air conditioner substituting for a chair in our Hoboken rehearsal space and we began recording Popular Songs.  Two of said songs made their way into our  sets at the Beachland Ballroom in Cleveland last year, where we performed Fade bonus track, our version of Times New Viking’s “Move to California,” with TNV’s Jared and Adam in the audience.  Later they joined us for a cover by some Ohioans who moved to California (I don’t think we planned this), the Cramps’ “Drug Train.”

 

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Ralph Kiner

My old friend Bruce emailed me yesterday to ask if we were going to pay tribute to Ralph Kiner.  In 1969, we would meet every morning at our lockers at PVC middle school and one would ask the other, “How about those Mets?” after the formerly hapless team we both loved had somehow or other won another game.  We were glued to Channel 9 on tv and AM radio’s WJRZ, which meant we were glued to the broadcast team of Lindsey Nelson, Bob Murphy and Ralph Kiner. The Mets have played 52 seasons, and for every one of them, Ralph Kiner’s been in the broadcast booth.  Season 53 just got a lot sadder.  A few years ago, our pal Steve Thornton put together this film in which we acknowledge Ralph’s iconic postgame show, Kiner’s Korner.

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Men (and woman) at work

In 1985, Maxwell’s only had shows on Thursday, Friday and Saturday nights, except on special occasions.  I was the house soundman, and the less said about that, the better.  Yo La Tengo, three shows under the collective belt, asked Steve Fallon if we and Antietam could play all four Wednesdays in February, two sets per band each night.  I’d do sound and other band members would work the door, not a particularly taxing position as we weren’t expecting big business.  February 6 was night one.  We won’t be releasing the live album anytime soon, but it was great practice.

Switching centuries, Andrew writes from a land down under:  6 March 2007: YLT played the Corner Hotel in Melbourne, Australia (our hometown). This was nine years to the day since Jaclyn and I met. I was trying to find the right way to propose to Jaclyn. Thought your show might be it. It wasn’t — too nervous. But great show all the same.

6 February 2008: We got married in Melbourne, in the garden of Heide Museum of Modern Art.  Some friends played songs for us: double bass, acoustic guitar and female vocal. We ended the ceremony with a cover of Sugarcube.  (We walked in together to Islands in the Stream and followed Sugarcube with Tonight I’ll Be Staying Here with You.  Great day!)

Finally, we’d like to wish a happy birthday to one-time YLT cover girl, Zsa Zsa Gabor!

 

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